I have been MIA lately and I am not ashamed.
Between work and the projects I have going on and having a toddler, husband, and household to run blogging is pretty low on the totem pole of importance.
What I have been doing, however, is working on the second draft of my Camp NaNo ’18 project, Changeling. That is an experience. I have been carving out an hour or so every few days to work on it.
After my first read through of the first draft I made notes and the second draft is implementation of those notes. This is essentially just me deleting large chunks of the first draft and writing entirely new scenes to make things connect and make a little more sense than it did before. Besides some glaring plot holes in draft #1, I am also changing place names (turning real place names into fantasy names to give myself more creative license in future drafts), and fixing obvious grammatical errors.
So that has been an experience. I am not done with the edits and I am already marking places where I need to return in the 3rd draft and do some major revisions.
Overall, progressing though slowly.
I am hoping to finish the edits before November 1st so I can begin a new project with slightly less guilt.
As always, the new project is shiny and I am itching to move on. But I think Changeling is worth suffering over so I am committed to the revisions.
The shiny new project is a little different of a vibe from Changeling. For one, the shiny new project is steampunk so right away the time and setting will be vastly different. Tech will play a big role in it which is a challenge.
I also think the characters I am writing are vastly different and it will be interesting to get inside this new creation’s head and soul and see what I can find there. Foxface has suffered much more than Viviane and Rose (Changeling‘s main characters) and she has a score to settle. From my preliminary visits with her, she doesn’t seem content to let anything go.
Foxface, like Changeling, requires a lot of research into the historically relevant aspects of the story. Its heavily inspired by the politics of the Scandinavian region during the 1800’s-1900’s and the oppression of the Samí people in Norway. But its steampunk so its alt-history and I can take a few freedoms with some of the details.
I obviously like challenging myself with these history inspired stories. I think the context of certain events in human history just adds such an interesting significance to fiction. I like grounding my dreams in reality, I guess. Not even sure that means anything.
Anyway, that is the short of my creative projects. I have been sneaking in some reading time where I can. I think since my last review (Girl, Wash Your Face) I have finished seven more books:
I should have been writing reviews for these books but honestly my mental health has not lent itself to a desire to do that. Taking anti-depressants regularly keeps me sane but it puts a noticeable damper on my ability to write, or write something I feel comfortable sharing.
But I am currently reading three books and I am hoping I will be able to write some meaningful reviews for those. Check my Goodreads if you’re interested in what I’m currently read.
Enough of that, back to work!
Novel research can be a daunting task if you are not the type who gravitates to research, study or spending hours on minute details. Unfortunately for those types but fortunate for people like myself, research is critical to writing. Whether research for you means learning about specific types of military vehicles or the ranks of nobility in 14th century Europe, you are (probably) going to have to look something up along the way.
As you begin writing the first draft of your novel you may find yourself questioning the minutiae of setting, plot, character, etc. You can start your research here, or may even have already conducted extensive research before writing a single word if you are a good planner. If you’re a pantser, you may find yourself glossing over specific details to avoid the research until the first draft is complete.
While putting off research is okay sometimes, you may want to take the time to ensure the story you’re crafting makes sense. You may create a plot based on an inaccurate detail that completely derails your second draft, basically meaning your novel needs rewriting. Where the particulars contribute substantially to your plot, even if you are not a planner you need to conduct some research to corroborate these details. If you take the time now to insert accurate details, you will save yourself time and frustration later. Researching while writing the first draft can also be an excellent trigger for writer’s block!
So, you want to start researching a detail in your story. Where do you start? Google is the most obvious place for most people to begin searching. My day job is a Reference Librarian and Information Literacy Instructor at a community college academic library. That means I spend all day telling students not to Google their research. Our students have access to expensive research databases which allows them to prioritize their research origins. If you are not a student, or you struggle with research, you have a few other options that aren’t Google.
Yes. I am a librarian advocating for you to visit libraries. Conflict of interest? Maybe. Public libraries are excellent research hubs for the beginning writer AND the seasoned writer. Why pay for books, databases, or magazines when you can get them for free? Many public libraries purchase the same database subscriptions that colleges have. They also accept recommendations for resources so if the library doesn’t have something if you ask they may get it. The public library is filled with people who are there to help you.
Wikipedia is not exactly a reputable site. There is a degree of accountability in the structure of writing and editing. You create a free account and correct inaccuracies. During my Freshman Year Experience class, we experimented by deliberately changing a Wikipedia article to make it inaccurate. We charted how long the false information remained unchanged. My material remained incorrect for weeks. That was a lot of views during this time that fake details were portrayed as trustworthy. However, users cite outside resources at the end of Wikipedia articles. This section is a gold mine of research opportunities. Explore these links and exercise critical thinking in determining if that source is accurate itself.
Check the site type (.com, .gov, .edu., .org, etc.). Look at the date the site was last updated. See if the site has an about page and read about the authors and their intent.
You may think researching to this degree is overkill for fiction but if you encounter a reader who is an actual expert you run the risk of alienating them.
There are a plethora of digital resources available online. Images, ebooks, videos, and audio (radio broadcasts, etc.). The New York Public Library is one example of a collection of publicly available digital items that can be used for research. The Library of Congress is another primary source. One of the big inspirations for my novel was The Hammer of Witches. The full text is available online and provided me with a lot of information about witch hunting practices and how they were persecuted. Many older books can be accessed for free in full online through various reputable sites like Project Gutenberg. Aside from LOC, NYPL, and Project Gutenberg, there are less scholarly, artistic platforms like DeviantArt and Pinterest. Content on these sites is added by online users. These are more useful for inspiration though Pinterest can be helpful for storing your research in an easy to view and access platform.
In addition to these resources, there are online forums. Online forums should always be approached with caution. The community determines the usefulness of the information you can find in forums. Writing sites with forums like NaNoWriMo and Writer’s Digest are helpful. Subreddits for writers can also be useful. You can post for advice on conducting research, search for beta readers who can help you catch inaccuracies, or search for perspectives that are similar to your characters to garner a more honest representation. Your peers can be a valuable resource if they approach your inquiries with the right intentions.
Once you have completed your first draft, you still have some research to do. If you didn’t check the details central to your plot, mark your first draft up noting where more information is needed. Verify details, even small ones. The tiniest inconsistency can propel the reader out of your story.
However, these are my specific research questions. Wherever you explore something you are not sure of, check the detail.
I recommend printing the first draft and either highlighting or using a pen to mark everywhere you need to insert research or check the facts.
With every read through, a second draft, third draft, etc. you will be looking at where you can improve/strengthen your manuscript. You cannot be overconfident. You need to doubt yourself and check, double check, triple check your story.
As Camp NaNo 2018 draws to a close and I wrap up the first draft of my project, I am thinking towards that Second Draft Diagnosis. You know, getting ready for the first read-through of the first draft where you cut every other paragraph. I both hate and love this part of writing. I hate the anxiety of starting the read-through. The read-through is where my low self-esteem shines through. But I like it in that I can begin to polish (more like clear-cutting) the draft and create the novel I intended at the beginning. Something I could visualize in print.
I think like most writers; I am my harshest critic. So, getting through this part of the writing process is make or break for a lot of people. Getting through this part successfully separates the published authors from the unpublished and aspiring.
If you are a plotter, you may not have much in the way of substantial cleanup. I am not a plotter. I have notes, but they are not substantive enough to keep me entirely on track. My first read through will require listing all the characters introduced, their purpose to the plot, whether they should be axed or expanded to have a more significant role (I have one character who will have a more substantial role in the final draft and book two). I will also need to create a way to track any subplots because I had no idea what those were going to be starting out. I only had a general idea of my main plot.
However, that is on top of the need to correct grammatical and other semantic issues like repetitive usage of favorite words, cutting excess adverbs, fixing run-on sentences, comma splices, blah blah blah. This type of editing will carry on into third drafts and beyond but I know while reading through I will be noting the apparent grammar issues and correcting them as well.
What I hope to accomplish above all else is to determine whether or not this is a story on which I feel compelled to work. Is this something worth salvaging and pursuing publishing? For as many exciting writing moments I had throughout the process of writing the first draft, I had as many sluggish, just hit the daily word count moments. Those will need to be axed. If it turns out that is the majority of the story, I may decide the story itself is not compelling enough to finish. In that case, it gets shoved in a drawer, and it’s on to the next project in hopes of creating something I want to share with the world.
My number one concern, focus, and favorite aspect of a novel are the characters in a story. So the questions I need to ask myself the following the questions about each person I introduce in my story:
The setting is almost a character in many ways. An appropriate setting will set the atmosphere of your story, establish the genre of your novel, present challenges to and aid your characters along their journey.
The plot, of course, is kind of important. A plot is the series of events that keep people turning pages. If it doesn’t make sense, if it meanders unintentionally, people will toss the book and tell their friends it stinks. Which it will.
As important, in my opinion, as the main plot, subplots take your story from linear to complex. This could be a romance unless your genre is romance or any other element that is not necessarily vital to the progression of the plot.
As you conduct the first complete reading of your first draft you should pay attention to these elements and notate your manuscript. Using different colored highlighters for Character, Setting, Plot, and Subplot is useful for assessing these individual areas after the initial read-through. You can change the highlight in your word processing software, print your manuscript and do it by hand (my preferred method), or use editing software like Scrivener (linked below).
Best case scenario you are left with a heavily colored, scribbled, notated manuscript and you can begin the second draft. Unlike the first draft, you know what the problems are and with a surgical precision you can remove and suture your story to create something worth saving.
Though if you carry on with that metaphor, the third, fourth, fifth, etc. drafts are recovery and rehab. It takes time, patience, and a lot of hard work and study to create a finished book and I hope to see all of your stories in print.
Cost is $45 to purchase a full, unrestricted version of the software. Scrivener is available for Mac and Windows. Scrivener comes with a very useful template for a novel including sections for characters, setting, notecards. You can split the screens inside the software’s window so you can edit your manuscript while viewing your notes like scene cards or research.
A year’s digital subscription to Writer’s Digest is $9.96 and well worth the investment. Writer’s Digest provides online resources, webinar’s (some are free but some come at an additional cost), contests, forums, and so much more.
Books on Writing (My Read, Currently Reading, and TBR Titles)
Viviane awoke to a shout from Rose, who’d sat up so quickly from her sleep that she’d forgotten the height of the bunk and banged her head on the wood. Cursing, Rose rubbed her head vigorously and glanced at Viviane before falling back to the bed in relief.
The vision, Viviane remembered. She’d seen her in some trouble on deck at night. Viviane had tossed and turned, sweating in the stale cabin air, stomach heaving with the contents of the small chunks of bread she’d eaten for dinner. She’s wanted fresh air so badly, could taste the salt air that leaked in so excruciatingly slightly from the small porthole above their heads. She could imagine the relief she’d feel gulping air, driving away the stink of the old wood boards, the damp wool blanket, and her own bile that seemed to sit at the back of her throat.
But she’d stayed. Even when she wanted to unbolt the door and jump into the sea from the misery of it. The fear she’d seen in Rose’s eyes only rivaled the fear she’d seen in them when she described her visions to the Shepherdess. It wasn’t a suggestion. Rose knew it to be her fate if she crossed that threshold in the dark of the night. Viviane wanted to prove that her visions weren’t set in stone, that she had free will and she would save herself by heeding the warning. Nothing would drag Viviane outside, no matter how ill she felt. At least not until the sun rose and she could find relief safely.
They made themselves as presentable as possible, no mirror available in the small space. Viviane dressed Rose’s hair and refused Rose’s offer to do that same for her. She opted to braid her hair in a long braid that she kept draped over her shoulder, partially obscuring the mask that was sure to draw attention and superstitious interest.
Smoothing their ruffled gowns, they unlocked the door and stepped out. The hallway was dim. A ladder led them up into the bright sunshine on the deck. They squinted into the light, covering their eyes with their hands as they sought out Christian among the men scurrying over the ship’s deck, engaged with predetermined chores. One short man with a frazzled beard streaked with gray-barked at them to move as he stomped past with a thick rope slung over his shoulder. He ran towards the mast, jumping up and clinging to it before scurrying up as deftly as a squirrel.
“Wow,” Rose breathed. “I did not think a creature like that could move in such a way.” Viviane covered her mouth, stifling a giggle. They moved to the railing and Viviane raised her head to the wind, breathing in deeply and exhaling all the stale air from below deck from her lungs. It felt like magic, the effect of the crisp, damp breeze blowing over her face and filling her chest.
The sea, a slim channel of water compared to the stories of seemingly unending water of the oceans, seemed like it could stretch on to eternity. It was dark blue in the bright light of day, capped with white waves that made the ship vibrate when they collided. But watching the static horizon in the distance, Viviane did not feel sick at the jolting movements. She felt a little like she was flying, standing there with only the wood banister pressed into her stomach, no obstructions in her line of sight. They crested a wave, and the ship sailed up and then dipped, and she allowed herself a laugh at the thrill it gave her.
Rose, by contrast, had turned a little green at the sight and clung to the rail. She obviously would prefer to return to their cabin below, safe in the hollows of their bunks. But Viviane could not imagine returning to the interior of the ship with the view spread before her.
Viviane thought, if she could never return home, perhaps she could turn pirate and explore the sea, maybe even take to the open ocean. Pirates were allowed eye patches and such, so maybe her mask wouldn’t seem so out of place among them.
Remembering the thin wooden shell belatedly, she grasped it, ensuring it was firmly tied in place despite the gusting winds and jolting deck. As she felt it, she noticed the attention they were getting. The sailors moved slower as they passed, sizing the girls up. Their cloudy red eyes lingered on Viviane though, on the mask and they frowned. Some made signs to ward against evil. Viviane felt her joy dissipate and her shoulders curled in again, trying to make herself smaller.
“Good morning, Mademoiselles!” Christian greeted them cheerfully as he raced to meet them on deck. He was panting, covered in a sheen of sweat already from the morning’s labors. But he was grinning broadly and seemed unperturbed by his promised assistance.
Viviane thought it was odd, that a nobleman’s son would so willingly commit to physical labor. He had trained with the King and his soldiers, she knew. But that was different. That was considered honorable by others in their circle, almost a sport. This kind of labor was backbreaking and grueling and humbling. The established hierarchy placing him firmly at the bottom, a grunt to be bossed around by men who couldn’t even read.
But he seemed so alive in spite of it. Happy even, to be working with the sailors. For the sailors. Viviane corrected as one barked an order at him and he scurried away to complete the task, throwing a grin and promise to meet them for breakfast back over his shoulder.
“It isn’t normal, no,” Rose answered her unspoken question. “Eden would never allow sailors to boss him so. But he is a little more petted it would seem. That’s probably my fault, and Father’s.” Rose laughed.
Viviane laughed too. She couldn’t picture Eden in the same situation, sleeves rolled up and sweat dripping from his temples. He was a royal, half-child as he was. He was a full-blooded dandy.
“I miss him,” Rose continued. “I wonder if he made it back to the castle safely. And if anyone noticed his disappearance so close to ours.”
“I wonder what they will do when they notice ours,” Viviane added. Would they question her mother? No doubt they would. And the miller, perhaps. Others knew of the escape route, they would know where it led. Could he deceive them into thinking he knew nothing of them?
Perhaps not. Viviane sent up a prayer that the miller would avoid imprisonment and punishment for their flight. The Princess didn’t need another’s fate lying heavy on her conscious.
“Hopefully we will hear something when we reach land and find asylum,” Rose answered. If Eden was able to return unnoticed. If he could get a letter out. If that letter found its way to wherever they were headed.
There were so many ifs. Viviane felt a little hopeless as the questions and conditions piled up.
Christian returned, noting their concerned expressions. He reached for their hands, taking one of their in each of his. “We will make it,” he promised, his face set with determination. “We will change this vision, save your family,” he nodded at Rose. “And you will return home to your mother,” he nodded at Viviane, squeezing her fingers gently, allowing his thumb to stroke her palm in secret.
Viviane flushed but met his gaze. She nodded back, gulping to keep the tears from escaping.
Christian, Viviane, and Rose ate breakfast with Captain Ashe who, despite his grizzled appearance, was educated and soft-spoken. He could tell they were not telling the truth of their identities, could see the excellent breeding in Rose and Christian, their expensive educations, their health that marked a lifetime of always having enough to eat and a warm bed.
He noted Viviane’s mask with the same suspicious glances as the sailors but said nothing, directing most of his conversation to Rose and Christian who were trained diplomats in any case, Viviane was relieved by his inattention and ate her breakfast heartily, empty from the scant dinner and her nighttime seasickness. Breakfast consisted of thick porridge and cured ham. Viviane was not complaining as she gulped down the steaming spoonful, feeling her belly fill pleasantly. The meat was precious, in short supply for the servants of their castle and usually disguised with gravy in stews that could be stretched to accommodate them for more extended periods of time.
It was well-preserved and flavorful. Viviane savored the salty taste on her tongue, before swallowing. She was enjoying the food so much she did not hear herself addressed until Rose nudged her foot beneath the table.
“Captain Ashe wanted to know if you were enjoying your breakfast?” Rose repeated, smothering a laugh with a cloth napkin.
Viviane flushed and nodded vigorously trying not to choke as she swallowed the mouthful she’d been appreciating.
“I can see you get a pretty simple fare where you are from as well,” he said to her directly. His tone was not accusing, and she relaxed as she swallowed finally and could speak.
“Yes, our chef does his best but the winter seasons are always a little difficult,” Viviane replied.
“The Lady has a chef?” The captain asked, eyebrows raised at Rose. She’d explained their positions in no great detail to the captain while Viviane had been devouring her meal.
“My family does, yes.” She replied.
“But you choose to travel quite simply.” He pressed, gesturing to the cargo ship’s hold. Even the captain’s quarters where they ate was a plain room, the wood rough-hewn and pieced together without thought for ornamentation or polish. “Your family could not afford to place you on one of the passenger ships?” His eyes jumped to Christian who had worked out the details of their passage, fully aware of his bargain to pay their way through his own labor.
“Honestly,” Rose began.
Viviane felt her spine tingle, and her blood ran cold. Would she tell him the truth so quickly?
“My family doesn’t approve of my journey.” Rose lied, but not quite lied, smoothly. “They would prefer I stayed home but told me if I could find some way to procure my own passage I would travel to the continent. I seek training from a master, you see.”
“What sort of master?” The captain asked, his tone switching from wary to conversational.
“A master of magic,” Rose replied.
Viviane started at that. That was the truth. And a dangerous fact.
The captain only stared at her, swirling a glass of brandy in one hand. The liquid was thick and clung to the sides of the glass.
“Magic,” he did not sound surprised. Or confused. Captain Ashe merely studied her, tasting the word on his lips.
“Why do you seek a Master of Magic?” he asked finally.
Rose grinned back at him, charming and pretty. Poised as a Queen and very nearly one.
“To learn it.” She admitted.
Still, the captain was not shocked. He did stand though, moving slowly, almost lazy.
He closed the door to his cabin which had been left open to catch the fresh ocean air, barking an order at an errant sailor before closing it slowly. Intentionally.
He turned to face the small band, studying them. They were young and inexperienced travelers. It was apparent how vulnerable they were, especially shut in Captain Ashe’s quarters, surrounded by men loyal to him, surrounded beyond that by miles of sea.
Viviane gripped Rose’s hand under the table. She squeezed her fingers back, in reassurance or realization of their predicament, Viviane could not tell.
“I knew you were one of us,” he said, sitting back down in his chair and scooting forward to rest his elbows on the table before him. Again, he was casual, unhurried.
“What?” Viviane was the one stunned.
Captain Ashe turned striking purple eyes on her. “A witch,” he clarified. “Or wizard in my case,” he chuckled, waving away the issue of semantics.
Christian and Viviane were dumbstruck, sitting silently and wondering how they had ended up here, face to face with a ship captain wizard.
Rose leaned forward too, propping her elbows on the table and placing her chin in her hand, observing him coolly. She seemed unfazed by his revelation.
“I know you knew. I felt the same. I felt that you possessed magic. Strong magic, from the scent of it.” Rose’s nose twitched as she noticeably sniffed the air around them. Viviane flushed, trying to surreptitiously sniff the air as well. All she could smell was the ham, the grease all that remained in a golden-brown smear on her plate.
“You can smell it?” Christian asked in amazement.
“Kind of,” Rose said to him. “I can smell something, and I only now realized what it was, thanks to a vision.”
“You had another vision?” Viviane asked. She hadn’t even noticed. It had been nothing like her unusual behavior the night before, the panic, the undiluted fear of what she’d seen.
Rose nodded. “Of Captain Ashe, his powers, and how people with magic identify each other.” With a knowing look at Viviane, she added, “And how he should sleep with a dagger under his pillow tonight to avoid an attempt at mutiny.”